a sculptural side table inspired by handwritten love letters and the letter M

a sculptural side table inspired by handwritten love letters and the letter M

Transforming the Ritual of Letter Writing into Sculptural Design

 

As handwritten letters quietly disappear from daily life, designer Maja Stamenković translates the ritual of correspondence into a sculptural object. Named Love Letters »M«, the collectible side table reimagines the letter M as a three-dimensional form, crowned by a triangular volume inspired by the flap of an opened envelope. The project continues Stamenković’s ongoing Love Letters series of nightstands, where the drawer previously took the form of an envelope.

 

In this new iteration, the envelope is abstracted into geometry and typography: the letter M becomes the structure itself, shifting the series from functional storage furniture toward a more sculptural and artistic expression that reflects on the tactile and emotional value of handwritten letters. More than a functional side table, Love Letters »M« operates as a sculptural and symbolic object that encourages users to pause and reconnect with slow, tactile gestures in an increasingly digital world.


all images by Marijo Zupanov, unless stated otherwise, courtesy of MA_ST_AR

 

 

Seven Layers of Materials compose Love Letters »M« side table

 

The piece by designer Maja Stamenković combines natural, recyclable, and salvaged materials, including solid walnut, Portogallo Rosso marble, painted aluminum, stainless steel, painted MDF, tiles, plexiglass, and brass. Each layer symbolizes a different generation; the table is composed of seven elements representing seven generations, becoming a vessel of memory, continuity, and heritage.

 

First presented at the Venice Design Biennial 2025 within the exhibition Collectible under the theme Extinction / Salvation, the project reflects on how extinction today affects not only ecosystems but also empathy, imagination, and cultural rituals. Love Letters »M« was also awarded Silver at the London Design Awards 2025 in the category Product Design – Unexpected Design. The project suggests that everyday objects can act as quiet carriers of memory, meaning, and emotional continuity, preserving something of the disappearing art of handwritten letters.


walnut, Portogallo Rosso marble, brass, painted aluminum, painted MDF, tiles, plexiglass, painted stainless steel


triangular volume in envelope-like form, evoking the intimate act of sending or receiving a letter


seven distinct elements, each carrying its own story


layering of colorful, contrasting materials, forming a harmonious composition

maja-stamenkovic-handwritten-letters-sculptural-side-table-m-designboom-1800-2

mix of recycled, salvaged, and natural materials integrated into design


detail view, the mirror inviting a closer look


open volume, hinting at a secret spatial gesture


close-up revealing the dialogue between materials

maja-stamenkovic-handwritten-letters-sculptural-side-table-m-designboom-1800-3

letter M transformed into a three-dimensional furniture structure


inviting a pause, a gentle return to forgotten gestures and emotional depth in a digital age


Venice Design Biennial 2025 installation view | image by Clelia Cadamuro

 

project info:

 

name: Love Letters »M«
designer: Maja Stamenković – MA_ST_AR | @ma_st_ar

photographers: Marijo Zupanov | @zupanov, Clelia Cadamuro | @cleliacadamuro

 

 

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

 

edited by: christina vergopoulou | designboom

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